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Melvin Martinez makes paintings that bring affect to the brink of autopoiesis. In a deluge of color and application that vibrates as if sonic, his works occupy oil, acrylic, glitter, confetti and decorative craft materials beyond ontological loyalties. The paintings renegotiate Martinez's debt to the optics of Pointillism, anarchy of Abstract Expressionism, resplendence of color field painting or embodied summons of gestural abstraction. They are free agents across time and consequence, expanding a living art ecology rather than terminated art histories. Martinez negates indebtedness by reimagining the currency of creative capital.